Listen to this story narrated by master Story teller Otis Jiry
Peter started collecting musical instruments used by famous deceased musicians when he became rich on Wall Street.
His ongoing collection was not open to the public because some of it was stolen. It was his pride and joy. Only people he trusted implicitly got to visit his Music Room, located in his 19-bedroom mansion, in upstate New York.
Peter was a mystery man with no known surviving family members. He was a self-made man, and a wizard. His ability to predict when stocks would go up, or down, or even the future, came from long years of training by the Coven that raised him.
When the witches sent him out on his own he was 21-years old and savvy in the ways of the world. Getting rich was easy. Entertaining himself was more difficult at first. Until he discovered a love of music.
It became all-consuming. He went to operas and rock concerts for years before developing a passion for musical instruments. Then one day a Wall Street trader acquaintance asked him if he would be interested in buying a rare piano?
“How rare?” Peter asked.
“It’s been hidden for seventy-five years, and it’s owner no longer wants it. It’s the last Grand Piano Sergei Rachmaninov played on Russia soil before the Leninist regime seized his estate near Tambov in 1917, ” his acquaintance explained.
“He moved with his wife and two daughters to Denmark before relocating to New York the following year. Left behind was this European-made Grand Piano hidden by a first cousin who later smuggled it into the United States, and a safe warehouse,” he added.
“Excellent. An expert has kept it in tune.”
“Why sell it now?”
The owner is old, and perhaps getting a little senile according to his grandchildren. It seems he’s been visiting the warehouse for years “listening to Rachmaninov play,” and telling his grandson that the famous musician is the one playing the Grand Piano.
Peter smiled. the biggest smile he had for decades and asked, “How do I get this piano? Money is no problem.”
To Peter’s delight, the story was true. It wasn’t long before he was striking up stimulating conversations with Sergei Rachmaninov. It didn’t take him long to go in search of other famous musical instruments whose owners had died. He worked with all of his financial and magical connections to hunt down the objects of his newly discovered hobby.
His next acquisition was Jimi Hendrix’s favorite black 1968 Fender Stratocaster with a maple neck. Despite playing many different guitars, including some Gibson Flying Vs and Les Paul Customs, the Stratocaster was his baby. He was buried with it in 1970 after dying from a drug overdose.
It took black magic to retrieve the guitar, and to entice Jimi Hendrix to play it once again. He had to conjure up female groupies to solidify the arrangement but it was worth it. Peter never tired of listening to him play his hits like Foxey Lady, Purple Haze, and Wild Thing.
Keith Moon’s second drum kit – A Ludwick Black Oyster Super Classic – with 2 toms and a bass drum plus, the previously lost – but now found – original snare drum, cost Peter two million dollars. Moon, who died in 1978, was another restless spirit recruited by Peter, to play his favorite instrument. Peter found that he had a particular fondness of drums and managed to buy Jon Bonham’s first drum set – a four-piece Trixon in Sparkling Red. Bonham, who died in 1980, got along great with Moon, and the two played competing solos deep into the night. In fact, the men knew each other when they were alive.
Bonham would lead off with a Led Zeppelin’s song like Fool In he Rain, showing off his speed, power and fast bass drumming, while Moon would counter with I Can’t Explain, one of the Who’s first big hits.
The real score in drums came when Peter had to pay a thief to steal Buddy Rich’s original drum setup. It included a 14×24 bass drum (with a moleskin patch and a wooden beater), a 9×13 rack tom, two 16×16 floor toms, and a 5×14 snare drum.
His Avedis Zildjian cymbals, which included a 20″ ride, two 18″ crashes, a pair of 14″ hi-hats, and a 6″ splash, shimmered as Peter looked at them. The set had his preferred wood-tip sticks—slightly heavier than a pair of 7As.
Buddy (also conjured up by Peter), died of heart disease in 1987. He was widely considered one of the most influential drummers of all time and was known for his virtuoso technique, power and speed. He never failed to bring the house down with a solo performance of a medley of songs from West Side Story.
With Buddy, Peter had assembled a trio of drum-players for the ages. To him, the cacophony of noise they all made when jamming was the music of the spheres.
It took a long time to find just the right brass trumpet. He finally found one made by Henri Selmer of Paris for Louis Armstrong. He managed to entice Satchmo to stop in a couple of nights a week and jam with his supernatural band. Armstrong always opened the evening with a soulful hit that made him famous; What a Wonderful World.
As the years went by he coaxed other dead famous singers and musicians to come by his mansion and perform. Some on a regular basis, and others like Elvis Presley who only came by on Sundays. Some came by a couple of days a week like Duane Allman.
Every night stars like Jim Morrison, Janice Joplin, Buddy Holly, Jim Croce, and Minnie Riperton could be seen mingling in rooms throughout the vast mansion. The Grateful Dead’s pianist Keith Godchaux, and Sergei Rachmaninov were perhaps the oddest pair to listen to, as one would play a few notes, then the other would follow them up with his own until the two styles wove a magic that captivated listeners.
As Peter got older he finally decided to share his supernatural collection of stars and invited special friends to spend the night, to hear the poltergeist’s talk about their careers and play their favorite instruments until the dawn.
As It Stands, this tale evolved from a conversation with a friend about haunting melodies from beyond the grave.